sounds like it's been lifted directly from Klein's Shock Doctrine, and he spends a good chunk of his screen time rubbing shoulders with well-dressed men who talk about how to "monetize the culture" of the city. Lionel Charles Ferbos was born July 17, 1911, in New Orleans and grew up in the city’s Treme neighborhood. In episode 4, he makes a cameo appearance alongside famed bassist Ron Carter. This muddles the show's point of view, and makes its sense for New Orleans feel off-kilter, even as it gets a thousand small details of the city right. The trumpeter and vocalist, who was a member of the musical Andrews family and the grandson of Jessie “Ooh Poo Pah Doo” Hill, burst with enthusiasm and talent. He is best known by mainstream audiences for the 1973 hit single "Right Place Wrong Time." This Louisiana Music Hall of Famer is a legend in New Orleans, known for his blues, R&B and rock-and-roll tunes. All too often, the show has the feel of something that has been designed to be to be admired rather than enjoyed—and, like a leather-bound set of Great Books, it has a way of advertising its own importance without actually offering anything new. Third, on the list of famous trumpet players is Dizzy Gillespie whose real name is John Birks. As often as not, however, its characters' verbalized epiphanies don't evoke a sense of profundity; they evoke a sense of screenwriters sitting in a room, straining to be profound. When, three episodes after the John Hiatt show, Harley is accosted by gun-toting thugs in the Marigny, he has regaled Annie with so many bon mots of Yoda-like music-wisdom that one half-expects him to pull out a light saber; instead he says something vaguely sanctimonious and gets shot in the face. He has been nominated for a Grammy Award 14 times and won three, including the 2010 award for Best Contemporary Folk album. He grew up in a family of 13, and like many other Southern musicians, he started out in the church choir. One promising sign is the depiction of Lambreaux’s son Delmond, a trumpet player … Treme can be clunky in its use of straw men to advance arguments, and perhaps none is quite so clunky as Nelson Hidalgo (Jon Seda), a carpetbagger venture capitalist who arrives from Dallas in Season Two to meet with bankers, leverage government contracts, and profit from the disaster. Travis "Trumpet Black" Hill, the fiery young trumpeter who played with the New Birth Brass Band, Corey Henry and the Treme Funktet and his own Heart Attacks band, died Monday (May 4) … Arrowhead Jazz Band; grioTrio; Hot 8 Brass Band; Natsuko Furukawa Trio; Danny Barker Hounds Tokyo; Solid Harmony; Sons of Jazz; The Black Men of Labor; The George and Gerald French Band; Treme Brass Band; Bass Players. Kermit Ruffins (born December 19, 1964) is an American jazz trumpeter, singer, composer, and actor from New Orleans.He has been influenced by Louis Armstrong and Louis Jordan and says that the highest note he can hit on trumpet is a high C.He often accompanies his songs with his own vocals. Even when Janette isn't stuck in wooden conversations with non-actors, her character's dramatic stakes diminish as the show fixates on restaurant-industry realism. One of the vérité cameo characters in Season Three is Kimberly Roberts, a New Orleans native whose video footage of the Ninth Ward before, during, and after Katrina became the basis for the Oscar-nominated 2008 documentary Trouble the Water. Treme's dedicates itself so totally to showcasing unique local color at the micro-level that it transforms New Orleans into a weirdly hermetic dreamland—a gritty, self-celebratory refuge from the dull forces of mass culture, where characters walk around saying things like, "Po'boys aren't sandwiches, they're a way of life!" Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. Two of their trademark tunes: "I'll Be Glad When You're Dead, You Rascal You" and the "Food Stamp Blues.". He's been howlin' ever since, with five albums and an appearance as himself in the second episode of Treme. Though Steve Earle portrays a fictional character in Treme, dozens of musicians play themselves, including Kermit Ruffins, John Boutte, … Outside of its music-themed sub-plots, however, Treme's mix of the fictional and the real tends to fall flat. This scene-level quest for musical authenticity can at times swamp the show in interminable performance sequences, but these vérité flourishes for the most part work. In Treme's ethos, mass-culture entertainments are by nature vulgar and inauthentic, and one senses the show's creators may have been hesitant to have characters discuss the National Football League when they could instead be rhapsodizing about sweet potato Andouille shrimp soup, or marveling at an Allen Toussaint performance. Tellingly, however, the Sonny character is not a true New Orleans insider; he's a young, music-obsessed Dutchman who's only been there a few months. Bill Adam; One suspects this detail wasn't pegged to its 2006 setting so much as its 2011 airdate (by which time MySpace had become passé). The Ascension Parish native took his name from an old Louisiana legend about a naughty child named Coco who gets abducted by a werewolf. A beat later, when the tourists request that he play "something authentic," Sonny (who moments before had been performing an old-time blues standard called "Careless Love") sarcastically offers to play "When the Saints Go Marching In," noting how "every cheesehead from chowderland" loves to hear it. Travis “Trumpet Black” Hill was a genuine rising star in his hometown of New Orleans and was quickly gaining world-wide attention. Instead, Huisman, a Dutch-born singer-songwriter-guitar player-actor, plays Sonny, a Dutch-born piano player-street musician with some major issues (drugs, booze, major-league-sized jealousy and possessiveness). Several characters exist to dramatize the ongoing debate about what the rebuilt city should look like, who will live there, and how it can maintain its connection to its traditions and its past. The anti-tourist, Fussell noted, does not merely scorn tourists: He is himself an outsider who—worried that his own enjoyment of a place might be itself construed as touristic—positions himself in solidarity with locals through the studied mimicry of local patterns and prejudices. The show's creator, David Simon, consulted with Ruffins as he developed the series. My new cover of "Hallelujah" with amazing Daniele Vitale Sax (original by Leonard Cohen). Trumpet: For most situations a Gold Plated Burbank Benge .468" Large Bore with a .464" Bell. Much like Janette, Treme takes pride in not pandering to its audience. He's gone from a Gulf Coast musician to an international recording artist, making music with Lenny Kravitz in 2005, and performing with U2 and Green Day during the re-opening of the New Orleans Superdome for the NFL's Monday Night Football pre-game show in 2006. One gets the sense that Treme believes this, even as it imposes its vexing vision of the city on the viewer. Treme is nuanced enough to infer that some of Hidalgo's capitalist sensibilities deserve to be considered in the post-Katrina discussion, but in dramatic terms he doesn't exist as a character so much as a cautionary counterpoint to the show's essentialist, jazz-tinged vision of what New Orleans is supposed to be. Pre-Katrina, he toured the world with the country-rock band Cowboy Mouth. In Treme, characters don't just eat; they advertise their taste by nattering at length about how Gene's Po-Boys is the place to get hot sausage, whereas Liuzza's by the Track is the place for barbecued shrimp (in Season One, Janette herself eats lunch at Domilise's instead of Parasol’s because she prefers shrimp po'boys to roast beef). The original band has three CDs that are still available at the locally owned and operated Louisiana Music Factory. Shop for trumpet player art from the world's greatest living artists. The Facebook reference was likely tacked on because viewers not attuned to the year might be tempted to think the show's characters were out of touch—and in Treme's obscurist, hyper-specific cultural universe, the viewers are the ones who are supposed to be out of touch. These Crescent City natives have teamed up with the New Orleans Horns. Blues, pop, jazz, zydeco, boogie woogie and rock-and-roll music — Dr. John does it all, combining popular genres with Gulf Coast flavor. He is one of the founding members of the Backyard Band, playing go-go music that illustrates D.C. the way Treme musicians have illustrated New Orleans. One character, Albert "Big Chief" Lambreaux (Clarke Peters), a dignified Mardi Gras Indian, embodies the city's working-class African-American traditions. It comes with a documentary about New Orleans' place in the origin of rock and roll, told through his own experiences. This seven-piece swing band got its start playing on the famed Frenchmen Street in New Orleans, second only to Bourbon Street. Her story evoked something true about New Orleans in part because she wasn't compelled to expound at length about the unique essence of New Orleans. A prime example of this is the city's much-loved football team, the Saints, which is never mentioned by name in the show's first season. Ka-Nection Band and the New Orleans Horns can be seen regularly at the Fat Catz Music Club on Bourbon Street. No doubt this self-conscious defiance of TV norms is part of the point of Treme (a reflection, perhaps, of its city's unconcerned pace of life) but this rarely proves evocative so much as tedious. Created by Maryland native David Simon and Seattle native Eric Overmyer, the show hasn't unpacked the received cultural stereotypes of the city so much as fine-tuned those stereotypes through compulsive attention to documentary detail. As with the music sequences, the camera depicts Janette's food preparation with exacting verisimilitude, but her awkward interactions with these real-life chefs consistently distracts. Treme takes its music seriously, and many of its sub-plots aren't storylines so much as a languorous meander into the particularities of life as a working musician. Listen free to Trombone Shorty – Treme: Music from the HBO Original Series, Season 1. You can listen to a variety of his music on YouTube. He is married to Karen "Juicee" Ruffins and lives with her in New Orleans.. With Regis and Kelly. "In the case of New Orleans," Gotham writes, "authenticity has always been a fluid and hybrid category that is constantly being created again and again" as different parties assert their idealized vision of what the city was, is, and should be. The series Kermit Ruffins is a fictionalized character played by the real person of the same name.He is a recurring guest star in the first and second seasons. To be fair, Treme's exploration of authenticity often rises above its relentless cataloguing of local idiosyncrasies. In the early 1980s, he co-founded the Rebirth Brass Band on the streets of the Treme neighborhood, where they eventually became the house band at the Glass House in New Orleans. He is a jazz trumpeter, bandleader, arranger, and most interestingly a film score composer. In 2008 he was inducted into the Louisiana Music Hall of Fame, and in 2009 he sang the opening number, "Down in New Orleans," for the Disney film The Princess and the Frog. Its numerous storylines rarely intersect in a dramatically resonant way, even as they maintain a nodding familiarity with one another—and even the more conventional narrative setups of the show (such as an investigation into an suspicious death) stretch across multiple seasons without being resolved. They have released 14 albums and toured across North America and Europe. In Treme's world, brilliant jazz trumpeters are more interested in barbecue than fame, voodoo-Cajun bluesmen sacrifice live chickens on the radio, and fast-food chains exist only when junkie musicians need a paper sack to camouflage their stash. It has since split in two, with several members forming the New Orleans Cottonmouth Kings. Growing up down in the Treme, Andrews had enough musicians in the family to start his own New Orleans-based band: his cousins, James and Troy "Trombone Shorty" Andrews — well-known Treme musicians — as well as Glen and Revert "Peanut" Andrews. and "Where else could we ever live, huh?" The Blacker the Content the Sweeter the Truth. Known by some as "the hard-core troubadour," Earle is a singer-songwriter who has made a career in rock and country music. His disdain for ignorant outsiders stems not from local identity, but rather from the self-protective pose of what cultural historian Paul Fussell once dubbed the "anti-tourist." But then the levees broke, wiping out everything he had. J.T. Choose your favorite trumpet player designs and purchase them as wall art, home decor, phone cases, tote bags, and more! The Rebirth Brass Band was born in the midst of the 1982 New Orleans Jazz & Heritage Festival, and they have been marching strong ever since. This lends the show a cinéma vérité feel, as fictional characters interact with their real-life counterparts. He appeared as himself in the first two episodes of the series, and in real life recently jammed at the New Orleans Jazz Fest. is an intern at The Root and senior journalism major at Howard University. The more the show catalogues the details of New Orleans at the microscopic level, however, the more the city's obvious particularities feel absent. They combine second-line music, funk, jazz, soul and hip-hop to define their own space in New Orleans' musical history. Quite possibly living in their own musical galaxy, Galactic has earned quite a reputation around the Big Easy, after working with both classic and modern-day NOLA musicians. The self-congratulatory implication here is that Treme, in its fastidious attention to specific details of New Orleans, offers the audience something universal and profound. Early in the first season of Treme, HBO's drama about post-Katrina New Orleans, the show illustrates the intrinsic disconnect between the city's insiders and outsiders when a street musician named Sonny chats with a group of church volunteers visiting from Wisconsin. He's one of the few real-life musicians on Treme who don't play themselves. *Seventh on the list of famous black trumpet players is Terence Blanchard, another influential black trumpet player from America was born on the 13 th March 1962 and is currently 53 years old. Although they perform and tour frequently, they were most recently guests on Live! "Let me ask you a question," he says. As sociologist Kevin Fox Gotham notes in his 2007 book Authentic New Orleans, however, the city's culture has never been fixed by continuous traditions so much as it has been constructed out of a complex interplay between inside and outside forces, old factors and new ones. We meet characters briefly but want to know more about them. You're too good for him, Annie!). "I'm not trying to be a spokesman for the city," a character declares early on in the series. He was booooorn by the river — maybe not in a small tenement, but literally across from the Mississippi River. Although no family band was ever started, Andrews has performed with almost every other brass band in the city. Mark Brooks; Kerry Lewis; Brass Players. The show's conviction that the city's authenticity lies in its music and food traditions is actually an old civic-booster invention that originated with the tourism campaigns of the 1880s—and the mid-20th-century emergence of commercial "super krewes" (ridiculed by one Treme character as "cheap and mass-produced, like everything else in American culture") has been instrumental in breaking down the traditionally racist, classist tone of Mardi Gras. The series' bouncy theme, ''Treme Song,'' originally appeared on Boutte's 2003 Jambalaya album. Delmond's story doesn't carry the same dramatic stakes as his father, however, and he's often reduced to having bland music debates with snobbish, dimly drawn minor characters who throw out phrases like "deracinated synthesis" while declaring that the music of New Orleans is "caught in that tourist economy, like a minstrel show.". The self-proclaimed ''King of the Party'' leads Big Sam's Funky Nation, an urban funk band in the Big Easy. Few moments in the show exist outside of its notion of what New Orleans represents in contrast to the rest of the United States. Kermit Ruffins, a prominent local musician, outside his bar, Kermit’s Treme Mother-in-Law Lounge. At 17 the Philadelphia native got his start playing piano with John Coltrane. This article lists notable musicians who have played the trumpet, cornet or flugelhorn. Pauline Kael once noted that viewers will put up with garbage before they endure pedagogy, and Treme's tendency to lecture its political and artistic points (rather than dramatize them) can indeed be wearying. On Treme, Huisman makes sweet folksy music with the violin-playing Lucia Micarelli (Annie), proving that in New Orleans, not all music dances to a zydeco-jazz-blues-brass band beat. He has won nine GRAMMY ® Awards in classical and jazz, and his five-year consecutive streak of GRAMMY ® wins between 1983 and 1987 has never been duplicated. "New Orleans speaks for itself." Born Malcolm John Rebbenack Jr., Dr. John takes his stage name after the 19th-century legendary New Orleans witch doctor Dr. John the Night Tripper. NEW ORLEANS (WGNO) – The tributes to musician Travis “Trumpet Black” Hill continue. "This ain't the only disaster to be had!") Though Steve Earle portrays a fictional character in Treme, dozens of musicians play themselves, including Kermit Ruffins, John Boutte, Cassandra Wilson, Dr. John, Elvis Costello, Shawn Colvin, Juvenile, Terence Blanchard, Fats Domino, and Lucinda Williams. Perhaps the most exasperating moment in the entire series comes midway through the second season, when Annie Tee (Lucia Micarelli), an up-and-coming fiddler in the local music scene, walks through the French Quarter with her songwriting mentor after a John Hiatt concert. Kitchen employees struggle to keep up with demand ("It's a monster," one of them intones, "it'll kill us all"), and Janette ultimately asserts her creative independence by taking it off the menu. As it happens, the crawfish ravioli incident makes for the culminating event of the show's third-season food arc. Now a star in his own right, he has won numerous awards for his music and performs all across the country. Born in the Seventh Ward of New Orleans, Boutte got his start in music by playing the trumpet and cornet in area marching bands. It’s Thursday night and, as always, trumpet player Kermit Ruffins is getting ready to jam with his band, the Barbecue Swingers, at Vaughan’s in the Bywater section of the city. To this day, the Grammy-winning composer-bandleader remains one of the most influential jazz pianists of the last half-century. 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